The Absurdity of Modern Relationships Explored in New Play From left, Rachel Bailey, Coleman Summers, and Jessica Schreiber. Photo courtesy of Jarid McCarthy. By Shannon Cudd Imagine trying to connect with your partner and an ostrich interrupts by knocking at the door. No, this is not a fever dream but a scene from The Larking House’s world premiere production of “Ostrich in the Room.” This exciting new work by Seanan Palmero Waugh explores the complexities of romantic relati
Putting on a Very Happy Face Bruno A. Satalino and the ensemble of Bye Bye Birdie. Photo courtesy of The Phantom Projects Theatre by Anne Reid Rock-and-roll fever is set to sweep through Phantom Projects Theatre at La Habra Depot as “Bye Bye Birdie,” one of Broadway’s most beloved musical comedies, arrives with laughs, lively dance numbers and timeless charm. Directed and choreographed by Alan M-L Wager, the Tony Award-winning musical follows the chaos that erupts when rock-a
When Elvis leaves the stage, an unexpected journey of identity, family and self-discovery begins. Jacob Wilson. Photo courtesy of Beatrice Casagran. By Anne Reid "The Legend of Georgia McBride" combines broad comedy with themes of identity, family and belonging in a story that explores both performance and personal transformation. According to Ophelia's Jump founder Beatrice Casagran, the production appealed to the company not only because of its humor but because of the huma
Putting on a Very Happy Face Bruno A. Satalino and the ensemble of Bye Bye Birdie. Photo courtesy of The Phantom Projects Theatre by Anne Reid Rock-and-roll fever is set to sweep through Phantom Projects Theatre at La Habra Depot as “Bye Bye Birdie,” one of Broadway’s most beloved musical comedies, arrives with laughs, lively dance numbers and timeless charm. Directed and choreographed by Alan M-L Wager, the Tony Award-winning musical follows the chaos that erupts when rock-a
Celebration of Shakespeare’s Friendship and Legacy From left, Genevieve Kauper, Kelly Franett and RigelKent Paden. Photo courtesy of Francis Gacad. by Anne Reid Director Amanda Hallman has wanted to stage “The Book of Will” since the moment she first read Lauren Gunderson’s play. After years of waiting for the rights, that vision is finally coming to life at Curtis Theatre through Begins And Ends With A, the production company Hallman co-founded with producer and costume desi
A diner, a wide-open road, and a story that proves even the smallest places can hold the biggest hearts. From Left, Rachel Williams and Sadie Black. Photo courtesy of Dylan Cranford. by MaryAnn DiPietro American Coast Theatre Company is heading somewhere a little quieter this summer, somewhere with porch swings, mountain air and the kind of stories that sneak up on your heart. The company invites audiences into the small town of Gilead, a place where folks know your name and